

- BASEELEMENTS SCRIBE MOVIE
- BASEELEMENTS SCRIBE 1080P
- BASEELEMENTS SCRIBE FULL
- BASEELEMENTS SCRIBE PROFESSIONAL

BASEELEMENTS SCRIBE MOVIE
The movie can look a little artificial and flat in more effects-heavy shots.”. ➢ “The image is typically Sony, a gorgeous, complex presentation that showcases the source material with striking detail, including deep layers of dirt and grime caked onto faces and clothes, the intimate details of largely unblemished terrain, fine stone work, and animal furs. Deep, inky black levels are complimented by impressive shadow detail, despite a minor lack of depth due to the format it was shot on.” - The Digital Bit s. However, nothing is compromised with the new film’s presentation as it’s first rate. The film was shot digitally, which for me goes against the aesthetic and continuity of the original, which was and is such a solid film-based experience. ➢ “Universal’s Blu-ray presentation of the film offers a mostly satisfying high definition experience. However, there is the occasional instance of softness and some very mild aliasing along the sharpest edges.” - High-Def Digest. Shot entirely on the Arri Alexa camera system, capable of up to 3K resolution, the upscaled transfer trots into town with slightly sharper detailing along various buildings … Faces are highly revealing, exposing every pore, wrinkle and the tiniest negligible blemish, and the iconic mask comes with better lifelike texture. ➢ “A chillingly excellent HEVC H.265 encode, showing a few welcomed improvements but overall looking comparable to its Blu-ray peer. There where some moments of soft focus that did take me out of the film but only for a second, and I was sucked right back in again.” - Rewind. Cinematographer Linus Sandgren has masterfully crafted this film, from the framing, to the composition, and lighting, it looks great considering the juggling of formats (16mm, 35mm, 65mm). The transfer accurately replicates the film’s presentation, for the most part.
BASEELEMENTS SCRIBE 1080P
➢ “Presented in a widescreen ratio of 2.39:1 mastered in HD 1080p 24/fps using AVC MPEG-4 compression. The image texturing overall is very nicely refined and exhibits lovely detail.” - The Digital Bits.

The HDR also allows instrument panels and indicators to pop nicely. Blacks are deepened and the colour palette, especially early in the film, has a warm and vibrant 1960s Kodachrome quality. ➢ “Colour has been graded for high dynamic range in both HDR10 and Dolby Vision, and this really does give the film an extra bit of richness and dimensionality. The UHD does not magically make any scenes sharper, per se, but it does create a finer filmic presentation, with more natural grain and slightly greater clarity to the base elements.”. The image is a little more inherently soft than some films. This upscaled UHD with Dolby Vision colour grading offers a slightly solidified, more prominently filmic presentation compared to the Blu-ray, which is excellent. Please subscribe if you like this content or want to stay informed on more Productive Computing and FileMaker training videos.➢ “ First Man was primarily shot on film, much of it 16mm, and finished at 2K. Have a look at our other Developer Tool videos It also includes the free and Open Source BaseElements plugin with many useful functions for you to add to your own solutions.
BASEELEMENTS SCRIBE FULL
All licenses have full layout access, including the ability to link to BaseElements Data Tables from external files and from your own scripts. fmp12 FileMaker files available from Goya. We use this tool for reviewing our own FileMaker apps, and for the Productive Computing Health Assessments – where we review a customer’s FileMaker app for errors or unused items.īaseElements is a standard set of sharing enabled.
BASEELEMENTS SCRIBE PROFESSIONAL
In this video, we explore what BaseElements is, highlight, and demonstrate a few features, as well as explain why it is a necessary tool for the professional FileMaker developer. BaseElements is an application analysis tool for Claris FileMaker.
